Antonín Dvořák composed the Requiem at the beginning of his peak creative period. This composition is one great reflection on generally alarming questions of human existence. The construction of the mass is not typical: the composition is divided in two basic parts, each of which begins with the original interconnection of several liturgical sequences. Likewise, Dvořák inserted between the "Sanctus" and "Agnus Dei" a lyrical movement "Pie Jesu," created on the base of the final text of the "Dies Irae" sequence. Its basic melodic motif is created by two ascending half-tones with an incorporated very sorrowful diminished third, which begins the opus and continues in many variations as the main motif running through the entire work. Dvořák's Requiem is a supreme opus of classicist-romantic synthesis. This composition inspired many other Czech composers, e.g. Josef Suk and Bohuslav Martinů. Performed by Czech Philharmonic Orchestra and Choir, conducted by Karel Ančerl, chorus master Markéta Kühnová; soloists: Maria Stader – soprano, Sieglinde Wagner – alt, Ernst Haefliger – tenor, Kim Borg – bass. This recording was awarded by most prestigious „Grand Prix du disque de l´Académie Charles Cros.“
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